in the closet -- htm
Script created with Final Draft by Final Draft, Inc.
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INT. THE APPARTMENT -- NIGHT
SHADOWS abound across the living room, the half-darkness
seems to dance and play.
AROUND THE APPARTMENT
Across the KITCHEN, through the vaulted LIVING ROOM, over the
office BALCONY and into the bookshelf lined BEDROOM, the
silence seems total, complete, present -- almost dead. Except
for just a moment, just slightly heard, just there, are the
scampering sounds of MOVEMENT...
INT. LIVING ROOM -- NIGHT
A tall, freestanding HALOGEN LAMP cuts into the air.
OFF.
Suddenly, BLINDINGLY ON.
The FRONT DOOR is carefully pushed open at that same moment.
PRESS SMITH, (20's) enters cautiously. His clothes are
careful, deliberately worn. He's a bit stiff overall, timid
and wary. He wears heavy, black rimmed glasses -- hip, but
unintentionally so.
He's followed by GRIFFIN LAKE, (20's), sharp, alert and
alive. With his spiky hair, his big smile and his bright and
sharp coat, he's much more with it. He brushes past Press,
walks into the cavernous living room and drinks it all in.
GRIFFIN
Nice pad.
He stares up at the CATHEDRAL CEILING.
GRIFFIN
Wow.
He notices the BIG SCREEN TV.
GRIFFIN
Nice. Almost as good as live.
Almost.
They both just stand there.
GRIFFIN
So.
PRESS
So.
(beat)
Do you go home with guys often?
GRIFFIN
Damn, you are direct.
PRESS
I'm sorry. I'm new at this.
GRIFFIN
No foul. I mean it's what this is
all about right? Loneliness? Lust?
And fucking. Lots of ass grabbing,
scalp pulling, pillow pounding,
friction fired fucking.
PRESS
I guess.
GRIFFIN
Could I get something to drink?
Griffin undoes a button on his shirt.
GRIFFIN
It's a little hot in here.
Press continues to STARE as Griff undoes another button.
GRIFFIN
Drink? Kitchen? Cold beverage? Ice
cubes?
PRESS
Right.
Press hurries into the...
INT. KITCHEN -- NIGHT
In the dark, it seems as all of the CABINET DOORS are OPEN.
With a click of the switch, the LIGHT streams on and all of
the doors are now CLOSED. Press moves from cabinet to
cabinet, looking.
INTERCUT BETWEEN PRESS AND GRIFFIN
INT. LIVING ROOM -- NIGHT
Griff rummages around.
GRIFFIN
I could tell you were... eager the
minute you walked into the bar. You
had that little glint, that bit of
pent up need, like a Fleet Week
sailor, ashore after a six month
cruise, ready to date anything
other than his five fingers.
FROM A CABINET LOOKING OUT, Press looks IN for a drink. He
seems to make eye contact with something...
Griffin looks over the bar and into the kitchen:
GRIFFIN
No, something cold. From the
refrigerator?
At the REFRIGERATOR, Press pauses. Opens the door.
PRESS
What do you imbibe?
GRIFFIN
At this hour? Only alcohol.
Pulls BEERS out. Press hands one to Griffin. Their HANDS
MEET.
GRIFFIN
I'll do yours if you'll do mine.
Griffin reaches over and under Press' arm, pops the top on
the bottle then does his own. They both drink, keeping their
eyes longingly on the other.
Griffin breaks the gaze and races up the STAIRS to the LOFT.
GRIFFIN
Where's the bedroom?
PRESS
It's--
Griffin races up the stairs.
PRESS
-- not there.
INT. LOFT -- NIGHT
Griffin perches against the top railing, raises his arms out
to either side.
GRIFFIN
"I'm Queen of the World."
Press doesn't respond.
GRIFFIN
Yeah, I didn't believe it either.
Goes back DOWN.
INT. LIVING ROOM -- NIGHT
Griffin leans in to kiss, but at the last minute backs off,
pulling a a vial of METH from his pocket. He dumps a little
onto his hand.
GRIFFIN
Bump?
SNORTS it up.
GRIFFIN
Boobah-doobah. Good stuff.
(to Press)
Are you sure you don't want any?
PRESS
Maybe this wasn't a good idea. I'm
just not...
Griffin touches Press on the arm.
GRIFFIN
Hey, I do like you. You're alone.
I'm alone. Together we aren't. I
like that more.
PRESS
I watch a lot, but I keep to
myself. I've never really done this
before. Any of it.
GRIFFIN
Are you saying I'm your first?
Press nods.
PRESS
I'll be gentle.
Both laugh. Press scratches at his clothes.
GRIFFIN
Rash?
PRESS
No. Not used to this.
GRIFFIN
Shirt?
PRESS
Clothes.
Griffin laughs.
GRIFFIN
You aren't as innocent as you
appear.
(beat)
So are you more comfortable like
this?
Griffin undoes the rest of the buttons on his shirt. It hangs
open.
GRIFFIN
Or like this?
Griffin throws his shirt on the ground.
Press unbuttons and removes his shirt.
GRIFFIN
You catch on quick.
PRESS
I've watched.
Press starts to unbutton his pants.
GRIFFIN
Let's take this into the bedroom.
Griffin heads for the DARKENED hallway. Press looks
horrified.
PRESS
Wait!
He RACES close and clicks ON the hall LIGHT before Griffin
makes it very far.
GRIFFIN
Thanks.
Griffin walks into the...
INT. BEDROOM -- NIGHT
...comfortable, lit bedroom. The bed is pushed far from the
OPEN closet. There are STREAKS on the floor, visible signs
that the bed was pushed away from the closet in a hurry.
Griffin DIVES onto the bed.
GRIFFIN
Now I know why it's all the way
over here.
He jumps up and down for effect. It bangs against the wall.
GRIFFIN
You want to join me or are we going
to make this really, really,
really, safe sex?
Press sits on the edge of the bed.
GRIFFIN
I know what we need. How does
this..oh, I get it.
The lamp is a touch lamp. He taps the base of it and the
light steps down from bright to not so bright to dim to--
PRESS
Don't!
Press stops him from pressing it one more time.
GRIFFIN
The hall light is still on, if you
don't like doing it in the dark.
PRESS
Right.
There is an awkward pause for a moment as the two eye each
other.
GRIFFIN
Anytime you want. I don't bite--
Press pounces like a starving man at a banquet table. After a
moment of vigorous kissing and base-running, Griffin stops
him.
GRIFFIN
Slow up for a second.
PRESS
I'm sorry. I'm sorry.
GRIFFIN
Nah. It's just that I'm funny about
something: closets.
Griffin gets up and CLOSES the closet door.
GRIFFIN
Since I was a kid I hated having
the closet door open.
(thinks)
Monsters and all. Bahhahahaha.
(beat)
Where was I? Oh yeah.
Griffin's pants fall to the floor.
GRIFFIN
Here we go now.
He dives for the bed.
THE CLOSET
door slowly drifts open...
Looking OUT FROM WITHIN IT, Griffin and Press are seen
starting to make love.
DISSOLVE TO:
AFTER...
Press snuggles close to Griffin.
GRIFFIN
I had lots of stars on my ceiling,
growing up.
PRESS
Stars?
GRIFFIN
Plastic glow-in-the-dark ones. My
parents thought I was deprived,
living in the city. Tacky
alternative, I know, but my mom
loved Walmart. Given my closet
fears, I think they also did it so
the glow would scare away the
monsters living under the bed.
PRESS
Monsters don't live under the bed.
GRIFFIN
You and I know that now, but at age
six? Anyway, the stars were up
there for seven or eight years,
right? Then came the first time I
got stoned, which was also the
first time I got laid -- see how
this connects? -- and... well,
somehow I managed to rearrange
those stars to say "I fucked the
glorious Alex Christ." That glow
got me through the horrors of my
teen years, let me tell you.
Press cries.
GRIFFIN
My story isn't that bad, is it?
PRESS
No. I'm just... being stupid.
Press kisses Griffin aggressively, seeking more.
GRIFFIN
Woah, tiger. I gotta take a wiz.
He taps the lamp. It GOES OUT.
For just a second, there is a RUSHING, SCUTTLING sound.
Griffin TAPS IT AGAIN and the room is lit up.
PRESS
No. Stay.
GRIFFIN
Be brave. I'll be right back.
Griffin walks past the OPEN closet door and he SHUTS IT
again.
Press stares at the door -- HARD.
CUT TO:
INT. BATHROOM -- NIGHT
Griffin FLUSHES and walks back into...
INT. BEDROOM -- NIGHT
Press sits on the OTHER SIDE of the bed, back to the closet
door.
GRIFFIN
Flattering, but I like your face
better.
PRESS
You'll be gone soon. I don't want
you to go.
Griffin walks up to the bed, the CLOSED CLOSET DOOR behind
him.
GRIFFIN
My boyfriend isn't home for another
three hours. That's more than
enough time--
He strokes Press' back.
PRESS
I got tired of watching, of looking
out at bodies dancing "gloriously"
in the dark. I wanted to know what
it felt like.
GRIFFIN
Yeah and now you know, thanks to
me.
PRESS
I am brave. They aren't.
The lamp, on its own, without being touched, steps DOWN a
setting, darkening the room.
GRIFFIN
I think you've got a short, Press.
From behind, the closet door starts to slowly slide open.
PRESS
I made a deal. I got to leave, to
come out here. In exchange, all I
had to do was... We like balance,
see? Light - dark. Day - night.
Come out -- go in. Even-Stevens, as
you say.
The lamp steps down another notch. The door continues to
open, unnoticed.
GRIFFIN
Did you take something while I-- ?
The lamp DIES all together. The closet door stands open, the
Dark inside stark and apparent.
And then the Dark MOVES...
PRESS
I really hoped they wouldn't... I
tried talking them out of it... but
a deal is a deal.
Griffin FEELS something HOT on the back of his neck.
GRIFFIN
Who did you... who did you make a
deal with?
PRESS
The other monsters.
(beat)
Sometimes in order for one thing to
come out, another has to go in --
Whether it wants to or not.
Griffin tries to turn around. With a ROAR, the Dark reaches
out and CONSUMES him. SCREAMING, he's DRAGGED into closet,
the door SLAMMING SHUT, his voice falling away.
Dead quiet.
Satisfied, the closet door drifts open again.
Press, his head heavy in his hands, slowly raises his face
back up. The DARKNESS now visible in his own EYES, stares out
into the lonely room.
FADE TO BLACK.
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Script created with Final Draft by Final Draft, Inc.